Madonna Net Worth 2025

Madonna
Madonna in 2023
Born	Madonna Louise Ciccone (1958-08-16) August 16, 1958 (age 67) Bay City, Michigan, US
Occupations	Singer songwriter record producer actress
Years active	1979–present
Works	Albums songs singles unreleased videos concerts films books fashion brands
Spouses	Sean Penn ​ ​ (m. 1985; div. 1989)​ Guy Ritchie ​ ​ (m. 2000; div. 2008)​
Partner	Carlos Leon (1995–1997)
Children	6, including Lourdes Leon
Relatives	Christopher Ciccone (brother)
Awards	Full list
Musical career
Origin	New York City, US
Genres	Pop electronica dance
Instruments	Vocals guitar
Labels	Warner Sire Maverick Interscope
Formerly of	Breakfast Club Emmy
Musical artist
Website	madonna.com
Signature

Madonna Louise Ciccone^[a] (/tʃɪˈkoʊni/ chih-KOH-nee; born August 16, 1958) is an American singer, songwriter, record producer, and actress. Dubbed the "Queen of Pop", she has become a cultural icon spanning both the 20th and 21st centuries. Madonna is known for her continual reinvention and versatility in music production, songwriting, and visual presentation, with works that incorporate social, political, sexual, and religious themes and have generated both controversy and critical acclaim. She is often deemed one of the greatest entertainers in the history of popular music.

Madonna moved to New York City in 1978 to pursue a career in dance. After performing as a drummer, guitarist, and vocalist in the rock bands Breakfast Club and Emmy, she rose to solo stardom with her debut studio album, Madonna (1983). She has since earned eighteen multi-platinum albums, including Like a Virgin (1984), True Blue (1986), and The Immaculate Collection (1990)—some of the best-selling albums of all time—and Confessions on a Dance Floor (2005), her 21st-century bestseller. Like a Prayer (1989), Ray of Light (1998), and Music (2000) were ranked among Rolling Stone's greatest albums of all time. Madonna's top-charting singles include "Like a Virgin", "Material Girl", "La Isla Bonita", "Like a Prayer", "Vogue", "Take a Bow", "Frozen", "Music", "Hung Up" and "4 Minutes".

Madonna has starred in films such as Desperately Seeking Susan (1985), Dick Tracy (1990), A League of Their Own (1992), and Evita (1996), with the lattermost winning her a Golden Globe Award for Best Actress. Many of her other films were not well-received. Her business endeavors include the company Maverick (1992–2009), which included Maverick Records—one of the most successful artist-run labels. Madonna's other ventures encompass fashion brands, written works, health clubs, and filmmaking. She contributes to various charities, having founded the Ray of Light Foundation in 1998 and Raising Malawi in 2006, and advocates for gender equality and LGBT rights.

Madonna is the best-selling female music artist of all time and the first female performer to accumulate US$1 billion from her concerts. She is the most successful solo artist on the US Billboard Hot 100 chart and has 44 number-one singles across major global music markets. Her accolades include seven Grammy Awards, two Golden Globe Awards, 20 MTV Video Music Awards, and an induction into the Rock and Roll Hall of Fame. Madonna was the world's highest-paid female musician for a record eleven years across four decades (1980s–2010s). She has become the subject of various scholarly, literary, and artistic works, as well as a mini-academic sub-discipline called Madonna studies.

Madonna Louise Ciccone was born in Bay City, Michigan, on August 16, 1958.^[2] Her father, Silvio "Tony" Ciccone, worked as an optics and military engineer and physicist for Chrysler Defense and later General Dynamics Land Systems; her mother, Madonna Louise (née Fortin), was an X-ray technician.^[3] Tony's parents were Italian emigrants from Pacentro, while her mother was of French-Canadian descent.^[4] Since Madonna shared her name with her mother, family members referred to her as "Little Nonnie".^[5] Madonna was raised in the Detroit suburbs of Pontiac and Avon Township (now Rochester Hills), alongside her two older brothers, Anthony and Martin, and her three younger siblings, Paula, Christopher, and Melanie.^[6][7]

When Madonna was five years old, her mother died of breast cancer on December 1, 1963.^[8] In 1966, she adopted Veronica as a confirmation name upon receiving the sacrament in the Catholic Church.^[9] That same year, Tony married the family's housekeeper, Joan Gustafson. They were married for 58 years until Joan's death in 2024, and had three children: Joey (who died shortly after his 1967 birth from a heart defect), Jennifer, and Mario.^[10][11] Madonna attended St. Frederick's and St. Andrew's Catholic elementary schools, as well as West Middle School.^[12] She earned high grades—her father gave her a quarter for every A—and was notorious for her unconventional behavior. Madonna performed cartwheels and handstands in the hallways between classes, hung upside down from the monkey bars during recess, and lifted her skirt in class to amuse the boys.^[13]

In retrospect, Madonna described herself as a "lonely girl who was searching for something", explaining: "I wasn't rebellious in a certain way. I cared about being good at something. I didn't shave under my arms and I didn't wear makeup like normal girls do. But I studied and I got good grades [...] I wanted to be somebody."^[14] Her father initially enrolled her in classical piano lessons, but she eventually persuaded him to let her study ballet instead. Her ballet teacher, Christopher Flynn, inspired her to pursue a career in dance.^[15] While attending Rochester Adams High School, Madonna was a straight-A student and a member of the cheerleading squad.^[16] After graduating in January 1976, she received a dance scholarship to the University of Michigan and spent the summer studying at the American Dance Festival in Durham, North Carolina.^[17]

In 1978, Madonna left college and moved to New York City.^[18] She called the decision "the bravest thing [she'd] ever done"; it was the first time she had ever flown on a plane or taken a taxi, and she arrived with "$35 in [her] pocket".^[19] She settled in the Alphabet City area of the East Village and supported herself with limited means by working various jobs—including as a hatcheck girl at the Russian Tea Room, an elevator operator at Terrace on the Park, and a member of modern dance troupes.^[20][21] She took classes at the Alvin Ailey American Dance Theater, performed with the Pearl Lang Dance Theater, and studied under dancer and choreographer Martha Graham.^[22] One night, while returning from a rehearsal, two men held her at knifepoint and forced her to perform fellatio. She later found the incident to be "a taste of my weakness, it showed me that I still could not save myself in spite of all the strong-girl show. I could never forget it."^[23]

In 1979, Madonna entered a romantic relationship with musician Dan Gilroy.^[24] During this period, she searched for job opportunities in such publications as Variety, Backstage, and Show Business, leading to a successful audition to perform in Paris as a backup singer and dancer for French disco artist Patrick Hernandez.^[25] Madonna told a Playboy writer in 1985 that "they didn't want me for [...] Hernandez, they wanted to bring me to Paris and make me a disco star".^[26] During her little time with Hernandez's troupe, she also traveled to Tunisia and several disco-oriented European countries before returning to New York that same year.^[27] Madonna relocated to an abandoned synagogue in Corona, Queens, where Gilroy and his brother Ed resided and practiced.^[28] The group slept in the basement and used its meeting space both to rehearse and record music for their band, Breakfast Club, for which Madonna sang and played drums and guitar.^[29]

Madonna made her acting debut in the low-budget indie film A Certain Sacrifice, which was shot in two parts in 1979 and 1981. She attempted to block its release through legal action against director Stephen Jon Lewicki but was unsuccessful, and the film was released in 1985. It was primarily criticized for its explicit sexual and violent content.^[30] In 1980, after leaving the Breakfast Club and ending her relationship with Gilroy, Madonna reunited with drummer Stephen Bray, whom she had previously dated in Michigan, and together they formed the band Emmy.^[31] By 1982, she and Bray lived and rehearsed at the Music Building in Manhattan, where they wrote songs and recorded a four-track demo tape.^[32] After leaving Emmy, Camille Barbone, who ran Gotham Records in the Music Building, signed Madonna to a contract with the label in March 1981, working as her manager until February 1982.^[33] Her creative partnership with Bray continued for many years.^[34]

In 1982, Madonna visited nightclubs to persuade disc jockeys (DJs) to play her demo, leading DJ Mark Kamins at Danceteria to take an interest in her music and begin a romance with her.^[35] He arranged a meeting with Seymour Stein, president of Sire Records—a subsidiary of Warner Bros. Records—after which she signed a two-single deal.^[36] Kamins produced her debut single, "Everybody", which was released in October 1982 and promoted television and nightclub performances.^[37][38] Her second single, the double A-side "Burning Up" / "Physical Attraction", was released in March 1983. Both "Everybody" and "Burning Up" / "Physical Attraction" reached number three on the Billboard Hot Dance Club Songs chart;^[39] the latter reached number thirteen in Australia. During this period, Madonna was in a relationship with artist Jean-Michel Basquiat and living in his SoHo loft.^[40] Basquiat introduced her to art curator Diego Cortez, who had managed several punk bands. Cortez declined to manage Madonna when she requested for him to do so.^[41]

Warner hired Reggie Lucas to produce her debut studio album, Madonna.^[42] Madonna was dissatisfied with many of the tracks, prompting her to seek additional support. She enlisted DJ John "Jellybean" Benitez to help complete the album, and the two began a brief romantic relationship.^[43] Benitez remixed most of the songs and produced "Holiday", her breakthrough song.^[44] Madonna was released on July 27, 1983, to critical acclaim, and peaked at number eight on the Billboard 200.^[45][46] The album generated two US Billboard Hot 100 top-ten singles: "Borderline" and "Lucky Star". In late 1983, Madonna's new manager, Freddy DeMann, arranged a meeting with film producer Jon Peters, who offered her the role of a club singer in the romantic drama Vision Quest (1985).^[47]

In January 1984, Madonna gained further exposure with performances on American Bandstand and Top of the Pops.^[48] Styled by Maripol, her look—which included lace tops, skirts over capri pants, fishnet stockings, crucifix jewelry, stacked bracelets, and bleached hair—became widely associated with 1980s female fashion trends.^[49][50] Wanting the material on her second studio album, Like a Virgin, to be "stronger" than that of her debut, she selected all of the songs herself, five of which she wrote or co-wrote.^[51] A dance and synth-pop record, Like a Virgin was released on November 12, 1984,^[52] and became her first number-one album in Germany, Italy, the Netherlands, New Zealand, Spain, the UK and the US.^[53] Within the lattermost nation, the album remained atop the Billboard 200 for three weeks, and is the first album by a woman to sell over five million copies in the US.^[54][55] Like a Virgin has sold over 21 million copies worldwide, making it one of the best-selling albums of all time.^[56][57]

The album's title track, "Like a Virgin", was selected as its lead single.^[58] It was her first number-one on the Billboard Hot 100, topping the chart for six consecutive weeks.^[59][60] "Like a Virgin" attracted the attention of conservative organizations, who complained that the song and its accompanying video promoted premarital sex and undermined family values; moralists sought to have the song and video banned.^[61] Madonna then attracted significant media attention for her performance of the song at the inaugural MTV Video Music Awards in 1984. Dressed in a wedding gown and white gloves, she appeared atop a large wedding cake before moving across the stage in a provocative manner.^[62] MTV News later described the performance as one of the most iconic in pop music history.^[63] Like a Virgin's next single, "Material Girl", peaked at number two in the US.^[64]

Madonna began a relationship with actor Sean Penn while filming the music video for "Material Girl" and the two married on her twenty-seventh birthday in 1985.^[65][66] The soundtrack of Vision Quest (1985) included "Crazy for You"—her second Billboard Hot 100 number-one single.^[67] That same year, she starred as titlular character in the comedy Desperately Seeking Susan, depicting a free-spirited bohemian drifter whose path intersects with a bored housewife through personal ads.^[68] The film introduced "Into the Groove", her first number-one single on the UK Singles Chart.^[69] Desperately Seeking Susan was named one of the ten best films of 1985 by Vincent Canby, a The New York Times film critic.^[70] In April 1985, Madonna began her first North American concert series, the Virgin Tour, with the Beastie Boys as the opening act.^[71] The tour coincided with the height of the Madonna wannabe phenomenon, as many of her young female fans adopted her fashion style.^[72]

Around this time, Madonna released two additional singles, "Angel" and "Dress You Up", making all four singles from Like a Virgin reach the top five of the Billboard Hot 100.^[73] "Angel" also charted at number one within Australia.^[74] In July 1985, Penthouse and Playboy published nude photographs of Madonna taken in 1978, when she worked as an art model.^[75] She had posed for the images for modest pay, reportedly $25 per session; the photographs were later sold for up to $100,000.^[76] The publication caused significant media attention, though Madonna remained unapologetic.^[77] At the 1985 Live Aid concert, she referenced the controversy, remarking that she would not remove her jacket because "[the media] might hold it against me ten years from now".^[78] For her third studio album, True Blue, Madonna co-wrote and co-produced every track on the record.^[79]

True Blue, inspired by and dedicated to her husband Penn, was released on June 30, 1986, to critical acclaim.^[80] It topped the charts in an unprecedented 28 countries worldwide, including the US, where it remained at number one on the Billboard 200 for five weeks.^[81][82] True Blue made Madonna the second female artist—following Whitney Houston—to score three US Billboard Hot 100 number-one singles from one album: "Live to Tell", "Papa Don't Preach", and "Open Your Heart".^[83] Its two other singles, "True Blue" and "La Isla Bonita", peaked within the top five.^[84] True Blue was the best-selling album of 1986, the best-selling of the 1980s by a female artist, and best-selling albums of all time, with 25 million copies sold globally.^[85][86]

Madonna appeared in the film Shanghai Surprise (1986) alongside Penn, which was critically unsuccessful and earned her the Golden Raspberry Award for Worst Actress.^[87][88] She made her stage debut the same year in David Rabe's Goose and Tom-Tom, which also co-starred Penn.^[89] In 1987, she starred in the film Who's That Girl and contributed four songs to its soundtrack, including "Who's That Girl" and "Causing a Commotion", which peaked at numbers one and two on the Billboard Hot 100, respectively.^[90] In June, she embarked on the Who's That Girl World Tour, which broke several attendance records, including a performance near Paris attended by over 130,000 people—the highest for a female artist at the time.^[91][92] In 1987, she released You Can Dance, a remix album with reworked versions of songs from her earlier releases.^[93] After a turbulent two-year marriage, Madonna filed for divorce from Penn on December 4, 1987, though she later withdrew the petition.^[94]

Madonna made her Broadway debut in the play Speed-the-Plow at the Royale Theatre, running from May to August 1988.^[95] According to the Associated Press, she filed an assault report against Penn following an alleged incident at their Malibu residence over the New Year's weekend.^[96] Madonna filed for divorce on January 5, 1989, and reportedly requested the following week that no criminal charges be pursued.^[97] That month, Madonna signed an endorsement agreement with soft-drink company Pepsi.^[98] In a commercial for the company, she premiered "Like a Prayer", whose accompanying music video featured Catholic imagery such as stigmata and cross burning, as well as a dream sequence depicting intimacy with a saint, prompting condemnation from the Vatican.^[99][100] Religious organizations called for a boycott of Pepsi products, leading the company to withdraw the commercial and terminate her sponsorship deal.^[101]

"Like a Prayer" was released as the lead single from her fourth studio album, also titled Like a Prayer. It became her seventh number-one single on the Billboard Hot 100 and spent three weeks atop the chart.^[102] Madonna drew inspiration from her turbulent relationship and divorce from Penn to create the album, co-writing and co-producing the album alongside Patrick Leonard, Stephen Bray, and Prince.^[103] In the US, Like a Prayer was released on March 21, 1989, to universal acclaim from critics. Rolling Stone's J. D. Considine described it "as close to art as pop music gets [...] proof not only that Madonna should be taken seriously as an artist but that hers is one of the most compelling voices of the Eighties".^[104] Like a Prayer spent six weeks atop the Billboard 200—the longest of any of her albums—and eventually sold 15 million copies worldwide.^[105][106] The singles "Express Yourself" and "Cherish" both peaked at number two in the US, while "Keep It Together" peaked within the top ten.^[105] By the end of the 1980s, Billboard and Musician had named her "Artist of the Decade".^[107][108]

In April 1990, Madonna launched the Blond Ambition World Tour.^[109] Described by Rolling Stone as an "elaborately choreographed, sexually provocative extravaganza", the tour was named the best of 1990 by the magazine.^[110] It drew criticism from religious organizations, particularly for her performance of "Like a Virgin", in which she simulated masturbation while being caressed by two male dancers.^[91] Madonna defended the show, stating that it was intended for "open minds" and encouraged audiences to view sexuality differently.^[111] The live recording of the tour earned Madonna the Grammy Award for Best Long Form Music Video.^[112] Her first documentary film, Truth or Dare (titled In Bed with Madonna outside North America), was released in May 1991.^[113][114] Chronicling her Blond Ambition World Tour, it became the highest-grossing documentary ever at the time, a record it held until it was surpassed eleven years later by Michael Moore's Bowling for Columbine.^[115]

Madonna portrayed Breathless Mahoney in the film Dick Tracy (1990), directed by and starring Warren Beatty in the title role. The film topped the US box office for two consecutive weeks, and Owen Gleiberman of Entertainment Weekly praised Madonna's performance, saying that he wished she had been given more screen time.^[116][117] To accompany the film, she released the soundtrack album I'm Breathless, with songs largely inspired by 1930s music.^[118] It spawned the single "Vogue", which topped the charts in more than 30 countries, including the US, where it peaked at number one on the Hot 100 for three weeks.^[119][120] During production, Madonna and Beatty began a relationship that ended shortly after the film's premiere.^[121] In October 1990, she recorded a Public Service Announcement supporting Rock the Vote's voter registration campaign.^[122]

Madonna's first greatest-hits compilation album, The Immaculate Collection, was released in November 1990.^[123] The album has sold 30 million copies worldwide, making it the best-selling compilation album by a solo artist and one of the best-selling albums of all time.^[124][125] The set included two new songs, "Justify My Love" and "Rescue Me".^[126] Model Tony Ward, Madonna's then-boyfriend, co-starred in the music video for "Justify My Love", which included imagery of sadomasochism, bondage, same-sex intimacy, and brief nudity.^[127][128] Considered too sexually explicit, the video was banned by MTV.^[129] The resulting controversy contributed to the song reaching number one on the Billboard Hot 100, becoming her ninth chart-topping single.^[126]

In 1992, Madonna appeared in the film A League of Their Own as Mae Mordabito, a member of an all-women's baseball team.^[130] The film reached number one at the US box office in its second weekend of release.^[131] Madonna also recorded its theme song, "This Used to Be My Playground", which became her tenth Billboard Hot 100 number-one single, the most of any woman at the time.^[132][133] In April 1992, Madonna established the entertainment company Maverick, which included a record label, film production unit, and divisions for music publishing, television, book publishing, and merchandising. The venture was a joint partnership with Time Warner and provided her with a $60 million advance and a 20 percent royalty rate—the highest in the industry at the time.^[134]

Maverick went on to become one of the most successful artist-run labels in history, signing multi-platinum acts such as Alanis Morissette and Michelle Branch.^[135] Later in 1992, Madonna co-sponsored the first museum retrospective of her former partner, artist Jean-Michel Basquiat, at the Whitney Museum of American Art in New York.^[136] She released her fifth studio album, Erotica, on October 20, 1992, in the US, and published her coffee table book Sex a day later.^[137][138] Sex featured sexually provocative and explicit images photographed by Steven Meisel and drew strong negative reactions from both the media and the general public; initial interest propelled the book to the top of The New York Times Best Seller list.^[139] A Washington Post writer described it as an "oversized, overpriced, [and boring] coffee table book of hardcore sexual fantasies".^[140]

The widespread backlash overshadowed Erotica, which became her lowest-selling album at the time.^[141] Despite favorable reviews, it became her first studio album since her debut not to reach number one on the US Billboard 200, instead debuting and peaking at number two.^[137] Two of its singles—"Erotica" and "Deeper and Deeper"—reached the top ten of the Billboard Hot 100.^[142] During this period, Madonna was in a relationship with rapper Vanilla Ice, to whom she proposed.^[143] The pair separated following the release of Sex, with Vanilla Ice claiming he had been included in the book without his consent.^[144] Madonna extended her provocative themes in the 1993 erotic thriller Body of Evidence, which featured scenes of sadomasochism and bondage and was poorly received by critics.^[145]

In September 1993, Madonna played an abused wife in a troubled marriage to a filmmaker in Dangerous Game, though her performance in the film was met with negative reception.^[146][147] She launched the Girlie Show that month, during which she appeared as a whip-cracking dominatrix and performed alongside topless dancers.^[91] She made a highly publicized appearance on the Late Show with David Letterman in March 1994, using profanity that required broadcast censorship and handing Letterman a pair of her underwear while urging him to smell it. The sexually explicit releases of Sex and Erotica, along with her film roles and controversial Letterman appearance, prompted commentators to question her dependence on provocative imagery.^[148] Madonna briefly dated rapper Tupac Shakur and basketball player Dennis Rodman around this time.^[149]

Biographer J. Randy Taraborrelli viewed Madonna's ballad "I'll Remember"—recorded for the film With Honors (1994)—as an effort to soften her provocative image.^[150] With her sixth studio album, Bedtime Stories, Madonna embraced a gentler sound and image to regain public favor.^[151] Released in the US on October 25, 1994, the album debuted at number three on the Billboard 200 and produced two top-three US singles: "Secret and "Take a Bow", the latter spending seven weeks atop the Billboard Hot 100—her longest-running number one.^[152] Madonna sponsored the first major retrospective of Tina Modotti's work at the Philadelphia Museum of Art in 1995,^[153] and later supported exhibitions of Basquiat's paintings at London's Serpentine Gallery and Cindy Sherman at New York's Museum of Modern Art.^[154][155]

In February 1996, Madonna began filming the musical Evita in Argentina.^[157] Having long aspired to portray Argentine political leader Eva Perón, she wrote to director Alan Parker to express her interest in the role. After being cast, she undertook vocal training and studied Argentina's history of and Perón's life. During production, Madonna experienced several bouts of illness related to pregnancy and the emotional demands of the film.^[158] Upon its release in December 1996, her performance was met with positive reviews from critics.^{[159][160][161]} Richard Corliss, writing for Time, described the film as well cast and visually impressive, praising Madonna's ability to exceed expectations.^[162] Her portrayal earned her the Golden Globe Award for Best Actress in a Motion Picture – Musical or Comedy.^[163]

The Evita soundtrack, which peaked at number two on the Billboard 200, contained songs primarily performed by Madonna. These included "You Must Love Me" and "Don't Cry for Me Argentina", the latter of which topped the European singles chart.^[164][165] At the 1996 Billboard Music Awards, Madonna was presented with the Artist Achievement Award.^[166] On October 14, 1996, she gave birth to her daughter, Lourdes "Lola" Maria Ciccone Leon, with fitness trainer Carlos Leon.^[167] According to biographer Mary Cross, Madonna—who had expressed concern that her pregnancy might jeopardize Evita—fulfilled significant personal goals: "Madonna had at last triumphed on screen and achieved her dream of having a child, both in the same year[, ...] reinventing herself and her image with the public".^[168] Her relationship with Carlos ended in May 1997, and she stated that they were "better off as best friends".^[169]

After Lourdes's birth, Madonna became involved in Eastern mysticism and Kabbalah, introduced to her by actress Sandra Bernhard.^[170] Her seventh studio album, Ray of Light, (1998) reflected this change in her perception and image.^[171][172] She collaborated with electronica producer William Orbit and wanted to create a sound that could blend dance music with pop and British rock.^[173] American music critic Ann Powers explained that what Madonna searched for with Orbit "was a kind of a lushness that she wanted for this record. Techno and rave were happening in the 90s and had a lot of different forms. There was very experimental, more hard stuff like Aphex Twin. There was party stuff like Fatboy Slim. That's not what Madonna wanted for this. She wanted something more like a singer-songwriter, really. And William Orbit provided her with that."^[173]

The album garnered critical acclaim, with Slant Magazine calling it "one of the great pop masterpieces of the '90s"^[174] Ray of Light was honored with four Grammy Awards—including Best Pop Album and Best Dance Recording—and was nominated for both Album of the Year and Record of the Year.^[175] Rolling Stone listed it among "The 500 Greatest Albums of All Time".^[176] Commercially, the album peaked at number-one in numerous countries and sold more than 16 million copies worldwide.^[177] The album's lead single, "Frozen", became Madonna's first single to debut at number one in the UK, while in the US, it became her sixth number-two single, setting another record for Madonna as the artist with the most number-two hits.^[178][179] The second single, "Ray of Light", debuted at number five on the Billboard Hot 100.^[180] The 1998 edition of Guinness Book of World Records documented that "no female artist has sold more records than Madonna around the world".^[181]

In 1998, Madonna founded the Ray of Light Foundation, which focused on women, education, global development and humanitarian causes.^[182] She recorded the single "Beautiful Stranger" for the 1999 film Austin Powers: The Spy Who Shagged Me, which earned her a Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.^[183] Madonna starred in the 2000 comedy-drama film The Next Best Thing, directed by John Schlesinger. The film opened at number two on the US box office with $5.9 million grossed in its first week, but this quickly diminished.^[184] She also contributed two songs to the film's soundtrack—a cover of Don McLean's 1971 song "American Pie" and an original song "Time Stood Still"—the former became her ninth UK number-one single.^[185]

Madonna released her eighth studio album, Music, in September 2000.^[186] It featured elements from the electronica-inspired Ray of Light era, and like its predecessor, received acclaim from critics. Collaborating with French producer Mirwais Ahmadzaï, Madonna commented: "I love to work with the weirdos that no one knows about—the people who have raw talent and who are making music unlike anyone else out there. Music is the future of sound."^[187] Stephen Thomas Erlewine from AllMusic felt that "Music blows by in a kaleidoscopic rush of color, technique, style and substance. It has so many depth and layers that it's easily as self-aware and earnest as Ray of Light."^[188] The album took the number-one position in more than 20 countries worldwide and sold four million copies in the first ten days.^[175] In the US, Music debuted at the top, and became her first number-one album in eleven years since Like a Prayer.^[189] It produced three singles: the Hot 100 number-one "Music", "Don't Tell Me", and "What It Feels Like for a Girl".^[178] The music video of "What It Feels Like for a Girl" depicted Madonna committing acts of crime and vandalism, and was banned by MTV and VH1.^[190]

Madonna met director Guy Ritchie in mid-1998, and gave birth to their son Rocco John Ritchie in Los Angeles on August 11, 2000.^[191] Rocco and Madonna suffered complications from the birth due to her experiencing placenta praevia.^[192] He was christened at Dornoch Cathedral in Dornoch, Scotland, on December 21, 2000.^[193] Madonna married Ritchie the following day at nearby Skibo Castle.^[194][195] After an eight-year absence from touring, Madonna started her Drowned World Tour in June 2001.^[91] The tour visited cities in the US and Europe and was the highest-grossing concert tour of the year by a solo artist, earning $75 million from 47 sold-out shows.^[196] She also released her second greatest-hits collection, GHV2, which compiled 15 singles during the second decade of her recording career. The album debuted at number seven on the Billboard 200 and sold seven million units worldwide.^[197][198]

Madonna starred in the film Swept Away, directed by Ritchie. Released direct-to-video in the UK, the film was a commercial and critical failure.^[199] In May 2002 she appeared in London in the West End play Up for Grabs at the Wyndhams Theatre (billed as 'Madonna Ritchie'), to universally bad reviews and was described as "the evening's biggest disappointment" by one.^[200][201] That October, she released "Die Another Day", the title song of the James Bond film Die Another Day, in which she also had a cameo role, described by Peter Bradshaw from The Guardian as "incredibly wooden".^[202] The song reached number eight on the Billboard Hot 100 and was nominated for both a Golden Globe Award for Best Original Song and a Golden Raspberry Award for Worst Original Song.^[178]

In 2003, Madonna collaborated with fashion photographer Steven Klein for an exhibition installation named X-STaTIC Pro=CeSS, which ran from March to May in New York's Deitch Projects gallery, and also traveled the world in an edited form.^[203] The same year, Madonna released her ninth studio album, American Life, which was based on her observations of American society.^[204] She explained that the record was "like a trip down memory lane, looking back at everything I've accomplished and all the things I once valued and all the things that were important to me." Larry Flick from The Advocate felt that "American Life is an album that is among her most adventurous and lyrically intelligent", while also condemning it as "a lazy, half-arsed effort to sound and take her seriously."^[205][206] The original music video of its title track caused controversy due to its violence and anti-war imagery, and was withdrawn after the 2003 invasion of Iraq started. Madonna voluntarily censored herself for the first time in her career due to the political climate of the country, saying that "there was a lynch mob mentality that was going on that wasn't pretty and I have children to protect."^[207] The song stalled at number 37 on the Hot 100,^[178] while the album became her lowest-selling album at that point with four million copies worldwide.^[208]

Madonna gave another provocative performance later that year at the 2003 MTV Video Music Awards, when she kissed singers Britney Spears and Christina Aguilera while singing the track "Hollywood".^[209][210] In October 2003, she provided guest vocals on Spears' single "Me Against the Music".^[211] It was followed with the release of Remixed & Revisited. The EP contained remixed versions of songs from American Life and included "Your Honesty", a previously unreleased track from the Bedtime Stories recording sessions.^[212] Madonna also signed a contract with Callaway Arts & Entertainment to be the author of five children's books. The first of these books, titled The English Roses, was published in September 2003. The story was about four English schoolgirls and their envy and jealousy of each other.^[213] The book debuted at the top of The New York Times Best Seller list, and became the fastest-selling children's picture book of all time.^[214] Madonna donated all of its proceeds to a children's charity.^[215]

The next year Madonna and Maverick sued Warner Music Group and its former parent company Time Warner, claiming that mismanagement of resources and poor bookkeeping had cost the company millions of dollars. In return, Warner filed a countersuit alleging that Maverick had lost tens of millions of dollars on its own.^[216][217] The dispute was resolved when the Maverick shares, owned by Madonna and Ronnie Dashev, were purchased by Warner. Madonna and Dashev's company became a wholly owned subsidiary of Warner Music, but Madonna was still signed to Warner under a separate recording contract.^[216]

In mid-2004, Madonna embarked on the Re-Invention World Tour in the US, Canada and Europe. It became the highest-grossing tour of 2004, earning around $120 million and became the subject of her documentary I'm Going to Tell You a Secret.^[218][219] In November 2004, she was inducted into the UK Music Hall of Fame as one of its five founding members, along with the Beatles, Elvis Presley, Bob Marley and U2.^[220] Rolling Stone ranked her at number 36 on its special issue of the 100 Greatest Artists of All Time, featuring an article about her written by Britney Spears.^[221] In January 2005, Madonna performed a cover version of the John Lennon song "Imagine" at Tsunami Aid.^[222] She also performed at the Live 8 benefit concert in London in July 2005.^[223]

Her tenth studio album, Confessions on a Dance Floor, was released in November 2005. Musically the album was structured like a club set composed by a DJ. It was acclaimed by critics, with Keith Caulfield from Billboard commenting that the album was a "welcome return to form for the Queen of Pop."^[225] The album won a Grammy Award for Best Electronic/Dance Album.^[183] Confessions on a Dance Floor and its lead single, "Hung Up", went on to reach number one in 40 and 41 countries respectively, earning a place in Guinness World Records.^[226] The song contained a sample of ABBA's "Gimme! Gimme! Gimme! (A Man After Midnight)", only the second time that ABBA has allowed their work to be used. ABBA songwriter Björn Ulvaeus remarked "It is a wonderful track—100 per cent solid pop music."^[227] "Sorry", the second single, became Madonna's twelfth number-one single in the UK.^[69]

Madonna embarked on the Confessions Tour in May 2006, which had a global audience of 1.2 million and grossed over $193.7 million, becoming the highest-grossing tour to that date for a female artist.^[228] Madonna used religious symbols, such as the crucifix and Crown of Thorns, in the performance of "Live to Tell". It caused the Russian Orthodox Church and the Federation of Jewish Communities of Russia to urge all their members to boycott her concert.^[229] At the same time, the International Federation of the Phonographic Industry (IFPI) announced officially that Madonna had sold over 200 million copies of her albums alone worldwide.^[230]

While on tour, Madonna founded the charitable organization Raising Malawi, and partially funded an orphanage in and traveling to that country.^[231] While there, she decided to adopt a boy named David Banda in October 2006.^[232] The adoption raised strong public reaction, because Malawian law requires would-be parents to reside in Malawi for one year before adopting, which Madonna did not do.^[233] Kate Kainja, Malawi's Minister of Women and Child Development had prevented a civil servant from travelling to see Madonna and Guy Ritchie as prospective adopters.^[234] Madonna addressed this on The Oprah Winfrey Show, saying that there were no written adoption laws in Malawi that regulated foreign adoption. Madonna described how Banda had been suffering from pneumonia after surviving malaria and tuberculosis when they first met.^[235] Banda's biological father, Yohane, commented: "These so-called human rights activists are harassing me every day, threatening me that I am not aware of what I am doing ... They want me to support their court case, a thing I cannot do for I know what I agreed with Madonna and her husband." The adoption was finalized in May 2008.^[236][237]

Madonna released and performed the song "Hey You" at the London Live Earth concert in July 2007.^[238] She announced her departure from Warner Bros. Records, and declared a new $120 million, ten-year 360 deal with Live Nation.^[239] In 2008, Madonna produced and wrote I Am Because We Are, a documentary on the problems faced by Malawians; it was directed by Nathan Rissman, who worked as Madonna's gardener.^[240] She also directed her first film, Filth and Wisdom. The plot of the film revolved around three friends and their aspirations. The Times said she had "done herself proud" while The Daily Telegraph described the film as "not an entirely unpromising first effort [but] Madonna would do well to hang on to her day job."^[241][242] On March 10, 2008, Madonna was inducted into the Rock and Roll Hall of Fame in her first year of eligibility.^[243] She did not sing at the ceremony but asked fellow Hall of Fame inductees and Michigan natives the Stooges to perform her songs "Burning Up" and "Ray of Light".^[244]

Madonna released her eleventh studio album, Hard Candy, in April 2008. Containing R&B and urban pop influences, the songs on Hard Candy were autobiographical in nature and saw Madonna collaborating with Justin Timberlake, Timbaland, Pharrell Williams and Nate "Danja" Hills.^[245] The album debuted at number one in 37 countries and on the Billboard 200.^[246][247] Caryn Ganz from Rolling Stone complimented it as an "impressive taste of her upcoming tour",^[248] while BBC correspondent Mark Savage panned it as "an attempt to harness the urban market".^[249]

"4 Minutes" was released as the album's lead single and peaked at number three on the Billboard Hot 100. It was Madonna's 37th top-ten hit on the chart and pushed her past Elvis Presley as the artist with the most top-ten hits.^[250] In the UK she retained her record for the most number-one singles for a female artist; "4 Minutes" becoming her thirteenth.^[251] To further promote the album, she embarked on the Sticky & Sweet Tour, her first major venture with Live Nation. With a total gross of $408 million, it ended up as the second highest-grossing tour of all time, behind the Rolling Stones's A Bigger Bang Tour.^[252] It remained the highest-grossing tour by a solo artist until Roger Waters' the Wall Live surpassed it in 2013.^[253]

In July 2008, Christopher Ciccone released a book titled Life with My Sister Madonna, which caused a rift between Madonna and him, because of unsolicited publication.^[254] By fall, Madonna filed for divorce from Ritchie, citing irreconcilable differences.^[255] In December 2008, Madonna's spokesperson announced that Madonna had agreed to a divorce settlement with Ritchie, the terms of which granted him between £50–60 million ($68.49–82.19 million), a figure that included the couple's London pub and residence and Wiltshire estate in England.^[256] The marriage was dissolved by District Judge Reid by decree nisi at the clinical Principal Registry of the Family Division in High Holborn, London. They entered a compromise agreement for Rocco and David, then aged eight and three respectively, and divided the children's time between Ritchie's London home and Madonna's in New York, where the two were joined by Lourdes.^[257][258] Soon after, Madonna applied to adopt Chifundo "Mercy" James from Malawi in May 2009, but the country's High Court rejected the application because Madonna was not a resident there.^[259] She re-appealed, and on June 12, 2009, the Supreme Court of Malawi granted her the right to adopt Mercy.^[260]

Madonna concluded her contract with Warner by releasing her third greatest-hits album, Celebration, in September 2009. It contained the new songs "Celebration" and "Revolver" along with 34 hits spanning her musical career with the label.^[261] Celebration reached number one in several countries, including Canada, Germany, Italy, and the United Kingdom.^[262] She appeared at the 2009 MTV Video Music Awards to speak in tribute to deceased pop singer Michael Jackson.^[263] Madonna ended the 2000s as the bestselling single artist of the decade in the US and the most-played artist of the decade in the UK.^[264][265] Billboard also announced her as the third top-touring artist of the decade—behind only the Rolling Stones and U2—with a gross of over $801 million, 6.3 million attendance and 244 sell-outs of 248 shows.^[266]

Madonna performed at the Hope for Haiti Now: A Global Benefit for Earthquake Relief concert in January 2010.^[267] Her third live album, Sticky & Sweet Tour, was released in April, debuting at number ten on the Billboard 200.^[268][269] It also became her 20th top-ten on the Oricon Albums Chart, breaking the Beatles' record for the most top-ten album by an international act in Japan.^[270] Madonna granted American television show, Glee, the rights to her entire catalog of music, and the producers created an episode featuring her songs exclusively.^[271] She also collaborated with Lourdes and released the Material Girl clothing line, inspired by her punk-girl style when she rose to fame in the 1980s.^[272] In October, she opened a series of fitness centers around the world named Hard Candy Fitness,^[273] and three months later unveiled a second fashion brand called Truth or Dare which included footwear, perfumes, underclothing, and accessories.^[274]

Madonna directed her second feature film, W.E., a biographical account about the affair between King Edward VIII and Wallis Simpson. Co-written with Alek Keshishian, the film was premiered at the 68th Venice International Film Festival in September 2011.^[275] Critical and commercial response to the film was negative.^[276][277] Madonna contributed the ballad "Masterpiece" for the film's soundtrack, which won her a Golden Globe Award for Best Original Song.^[278]

In February 2012, Madonna headlined the Super Bowl XLVI halftime show at the Lucas Oil Stadium in Indianapolis, Indiana.^[279] Her performance was visualized by Cirque Du Soleil and Jamie King, and featured special guests LMFAO, Nicki Minaj, M.I.A. and CeeLo Green. It became the then most-watched Super Bowl halftime show in history with 114 million viewers, higher than the game itself.^[280] During the event, she performed "Give Me All Your Luvin'", the lead single from her twelfth studio album, MDNA. It became her record-extending 38th top-ten single on the Billboard Hot 100.^[281]

MDNA was released in March 2012 and saw collaboration with various producers, including William Orbit and Martin Solveig.^[282] It was her first release under her three-album deal with Interscope Records, which she signed as a part of her 360 deal with Live Nation.^[283] She was signed to the record label since Live Nation was unable to distribute music recordings.^[284] MDNA became Madonna's fifth consecutive studio record to debut at the top of the Billboard 200.^[285] The album was mostly promoted by the MDNA Tour, which lasted from May to December 2012.^[286] The tour featured controversial subjects such as violence, firearms, human rights, nudity and politics. With a gross of $305.2 million from 88 sold-out shows, it became the highest-grossing tour of 2012 and then-tenth highest-grossing tour of all time.^[287] Madonna was named the top-earning celebrity of the year by Forbes, earning an estimated $125 million.^[288]

Madonna collaborated with Steven Klein and directed a 17-minute film, secretprojectrevolution, which was released on BitTorrent in September 2013.^[289] With the film she launched the Art for Freedom initiative, which helped to promote "art and free speech as a means to address persecution and injustice across the globe". The website for the project included over 3,000 art related submissions since its inception, with Madonna regularly monitoring and enlisting other artists like David Blaine and Katy Perry as guest curators.^[290]

By 2013, Madonna's Raising Malawi had built ten schools to educate 4,000 children in Malawi at a value of $400,000.^[291] When Madonna visited the schools in April 2013, President of Malawi Joyce Banda accused her of exaggerating the charity's contribution.^[292] Madonna was saddened by Banda's statement, but clarified that she had "no intention of being distracted by these ridiculous allegations". It was later confirmed that Banda had not approved the statement released by her press team.^[293] Madonna also visited her hometown Detroit during May 2014, and donated funds to help with the city's bankruptcy.^[294] The same year, her business ventures extended to skin care products with the launch of MDNA Skin in Tokyo, Japan.^[295]

Madonna's thirteenth studio album, Rebel Heart, was released in March 2015, three months after its thirteen demos leaked onto the internet.^[296] Unlike her previous efforts, which involved only a few people, Madonna worked with a large number of collaborators, including Avicii, Diplo and Kanye West.^[297][298] Introspection was listed as one of the foundational themes prevalent on the record, along with "genuine statements of personal and careerist reflection".^[299] Madonna explained to Jon Pareles of The New York Times that, although she has never looked back at her past endeavors, reminiscing about it felt right for Rebel Heart.^[300] Music critics responded positively towards the album, calling it her best effort in a decade.^[301]

From September 2015 to March 2016, Madonna embarked on the Rebel Heart Tour to promote the album. The tour traveled throughout North America, Europe and Asia and was Madonna's first visit to Australia in 23 years, where she also performed a one-off show for her fans.^[302][303] The Rebel Heart Tour grossed a total of $169.8 million from the 82 shows, with over 1.045 million ticket sales.^[304] While on tour, Madonna became engaged in a legal battle with Ritchie, over the custody of their son Rocco. The dispute started when Rocco decided to continue living in England with Ritchie when the tour had visited there, while Madonna wanted him to travel with her. Court hearings took place in both New York and London. After multiple deliberations, Madonna withdrew her application for custody and decided to resolve the matter privately.^[305]

In October 2016, Billboard named Madonna its Woman of the Year. Her "blunt and brutally honest" speech about ageism and sexism at the ceremony received widespread coverage in the media.^[306][307] The next month Madonna, who actively supported Hillary Clinton during the 2016 US presidential election, performed an impromptu acoustic concert at Washington Square Park in support of Clinton's campaign.^[308] Upset that Donald Trump won the election, Madonna spoke out against him at the Women's March on Washington, a day after his inauguration.^[309] She sparked controversy when she said that she "thought a lot about blowing up the White House".^[310] The following day, Madonna asserted she was "not a violent person" and that her words had been "taken wildly out of context".^[311]

In February 2017, Madonna adopted four-year-old twin sisters from Malawi named Estere and Stella,^[312][313] and she moved to live in Lisbon, Portugal, in mid-2017 with her adoptive children.^[314] In July, she opened the Mercy James Institute for Pediatric Surgery and Intensive Care in Malawi, a children's hospital built by her Raising Malawi charity.^[315] The live album chronicling the Rebel Heart Tour was released in September 2017, and won Best Music Video for Western Artists at the 32nd Japan Gold Disc Award.^[316][317] That month, Madonna launched MDNA Skin in select stores in the United States.^[318] A few months earlier, the auction house Gotta Have Rock and Roll had put up Madonna's personal items like love letters from Tupac Shakur, cassettes, underwear and a hairbrush for sale. Darlene Lutz, an art dealer who had initiated the auction, was sued by Madonna's representatives to stop the proceedings. Madonna clarified that her celebrity status "does not obviate my right to maintain my privacy, including with regard to highly personal items". Madonna lost the case and the presiding judge ruled in favor of Lutz who was able to prove that in 2004 Madonna made a legal agreement with her for selling the items.^[319]

While living in Lisbon, Madonna met Dino D'Santiago, who introduced her to many local musicians playing fado, morna and samba music. They regularly invited her to their "living room sessions", thus she was inspired to make her 14th studio album, Madame X.^[320] Madonna produced the album with various musicians, primarily her longtime collaborator Mirwais and Mike Dean.^[321] The album was critically well received, with NME deeming it "bold, bizarre, self-referential and unlike anything Madonna has ever done before."^[322] Released in June 2019, Madame X debuted atop the Billboard 200, becoming her ninth number-one album there.^[323] All four of its singles—"Medellín", "Crave", "I Rise" and "I Don't Search I Find"—topped the Billboard Dance Club Songs chart, extending her record for most number-one entries on the chart.^[324]

The previous month, Madonna appeared as the interval act at the Eurovision Song Contest 2019 and performed "Like a Prayer", and then "Future" with rapper Quavo.^[325] Her Madame X Tour, an all-theatre tour in select cities across North America and Europe, began on September 17, 2019. In addition to much smaller venues compared to her previous tours, she implemented a no-phone policy to maximize the intimacy of the concert.^[326] According to Pollstar, the tour earned $51.4 million in ticket sales.^[327] That December, Madonna started dating Ahlamalik Williams, a dancer who began accompanying her on the Rebel Heart Tour in 2015.^[328][329] However, the Madame X Tour faced several cancellations due to her recurring knee injury, and eventually ended abruptly on March 8, 2020, three days before its planned final date, after the French government banned gatherings of more than 1,000 people due to COVID-19 pandemic.^[330][331] On March 21, she posted a controversial and soon-to-be deleted post to Instagram and Twitter nude from a bathtub, which courted criticism for being out of touch and tone-deaf.^[332] In April 2020, Madonna announced her financial support for the COVID-19 Therapeutics Accelerator led by the Bill & Melinda Gates Foundation, Wellcome Trust and Mastercard,^[333] and she donated an additional $1 million to the Bill & Melinda Gates Foundation to help fund research creating a new vaccine.^[334] Later that month, she revealed she had tested positive for coronavirus antibodies.^[335]

Madonna and Missy Elliott provided guest vocals on Dua Lipa's single "Levitating", from Lipa's 2020 remix album Club Future Nostalgia.^[336] She also started work on a film biopic about her life, which she intended to direct.^[337] Erin Cressida Wilson and Diablo Cody worked on the script at various points and Julia Garner was cast as Madonna before the project was postponed.^{[337][338][339]} Madonna released Madame X, a documentary film chronicling the tour of the same name, on Paramount+ in October 2021.^[340]

On Madonna's 63rd birthday, she officially announced her return to Warner Records, the rebranded name of her original label Warner Bros. Records, in a global partnership which granted the label rights to her entire recorded music catalog, including the last three albums released under Interscope. Under the contract, Madonna launched a series of catalog reissues beginning in 2022, to commemorate the 40th anniversary of her recording career. A remix album titled Finally Enough Love: 50 Number Ones was released on August 19, with a 16-track abridged edition being available for streaming since June 24.^[341] Consisting of her 50 number-one songs on Billboard's Dance Club Songs chart, the remix album highlighted "how meaningful dance music has always been" to Madonna's career, and became her 23rd top-ten album on the Billboard 200.^[342][343]

Throughout 2022 to 2023, Madonna released a number of stand-alone tracks, including "Hung Up on Tokischa" (a remix of "Hung Up", featuring rapper Tokischa)^[344][345] and a 2015 demo recorded during the Rebel Heart sessions called "Back That Up to the Beat" to all digital outlets.^[346] She also collaborated on three songs on Christine and the Queens album Paranoïa, Angels, True Love (2023)^[347] and with The Weeknd and Playboi Carti on the single "Popular", which was taken from the soundtrack to the drama series The Idol.^[348][349]

In January 2023, Madonna announced the Celebration Tour, her first greatest hits concert tour, which was set to run from July 2023 to January 2024.^[350] As part of the announcement, she removed all of her Instagram posts on January 16.^[351] However, on June 24, 2023, the singer was hospitalized after being found unresponsive in her New York City apartment.^[352][353] She was admitted for five days and received treatment in the intensive care unit under intubation.^[352] Madonna later stated that she had been in a medically induced coma for 48 hours during her hospitalization^[354] for a "serious bacterial infection" following a low-grade fever. As a result, the initial North American leg of the tour was postponed.^{[355][356][357]}

The Celebration Tour finally began in October 2023, at the O₂ Arena in London and garnered critical acclaim.^{[358][359][360][361]} It ended the following May with a free concert at Copacabana in Rio de Janeiro which was attended by 1.6 million people, setting the record for the biggest standalone concert of all time and the most attended concert by a female artist.^[362][363] The Celebration Tour grossed $225.4 million from 80 shows, making Madonna the first female artist to gross over $100 million with six different concert tours.^[364]

During these years, Madonna lost multiple family members, starting with her eldest brother Anthony dying in February 2023 at age 66.^[365] Her younger brother Christopher also died the following year on October 4, 2024, in Petoskey, Michigan at age 63 from pancreatic cancer, according to a statement from his family. He died just two weeks after the death of their stepmother Joan.^[366] Madonna dedicated a lengthy Instagram post to him saying, "I admired him [...] We found our way back to each other. I did my best to keep him alive as long as possible. He was in so much pain towards the end [...] There will never be anyone like him".^[367]

Following the Celebration Tour, Madonna restarted work on her biographical film^[368] and later complained of producers wanting her to "downsize-down scale-think smaller" with regard to the project. She considered reworking it into a television series as a result.^[369] Madonna shifted her focus towards conceiving new music with Stuart Price, writing in December 2024 that "these past few months has been medicine for my soul. Songwriting and making music is the one area where I don't need to ask anyone for their permission. I'm so excited to share it with you".^[370] In February 2025, the singer revealed she was working on a "sequel" to 2005's Confessions on a Dance Floor, which Price also produced.^[371] It is set for release in 2026, via Warner.^[372] That May, Deadline Hollywood reported Madonna had partnered with video streaming service Netflix to produce a series about her life with Shawn Levy. The show is not related to the film in the works.^[373]

On June 5, 2025, Madonna released a remix of "Skin" as a promotional single of Veronica Electronica, an album of remixes originally intended to be released after Ray of Light, including original versions of songs previously unreleased officially.^[374] "Gone Gone Gone", an original demo for Ray of Light, was released as the second promotional single from the album on July 11, 2025.^[375] Veronica Electronica was released on July 25, 2025.^[376][377]

Madonna was later interviewed by Jay Shetty in an episode of On Purpose with Jay Shetty on September 29, 2025. In her first-ever podcast interview, Madonna discussed her "spiritual journey" and past activism. She was later joined by Eitan Yardeni, her Kabbalah teacher, with whom she has written a course titled The Mystical Studies of the Zohar. During the interview, Madonna discussed her health problems from 2023 and strained relationship with her brother Christopher Ciccone, saying that "It was him being ill and reaching out to me and saying, 'I need your help,'" she recalled. "And me having that moment like, 'Am I going to help my enemy?' And I just did. And I felt so relieved. And it was such a load off my back, such a weight that was removed, baggage that I could put down, to finally be able to be in a room with him and holding his hand even if he was dying and saying, 'I love you and I forgive you.' That was really important."^[378] Furthermore, Madonna revealed new details about her upcoming album scheduled for release in 2026.^[379][380] In this conversation, Madonna revealed the names of two songs and their lyrical contents: "Fragile"^[381] and "Forgive Yourself", which both discuss the conflict in their relationship. About the latter song, Madonna said "We have to forgive others but we also have to forgive ourselves and stop beating up on ourselves about things, choices we've made in the past that haven't worked out for ourselves or other people." and further revealed that the chorus of the song would contain the lyric "if you can't forgive me forgive yourself" and also noted that "[this] is something we all have to do."^[378][381]

On October 9, 2025, Madonna released a preview of her upcoming EP, Bedtime Stories: The Untold Chapter, with the Dallas Austin produced demo "Right on Time". The release commemorates the 30th anniversary of her sixth studio album, Bedtime Stories (1994). The EP contains demos, alternative versions, and rarities from the original album sessions. The EP is set to be released on November 28, 2025, along with reissues of the original studio album on CD and LP.^[382] On November 7, 2025, Madonna released Confessions on a Dancefloor: Twenty Years Edition, a digital and streaming-only anniversary version.^[383]

From left to right: Madonna has been inspired by movie stars such as Marilyn Monroe (pictured in 1953), artists such as Frida Kahlo (1926), and musicians like David Bowie (1990).

Madonna has called Nancy Sinatra one of her idols. She said Sinatra's "These Boots Are Made for Walkin'" made a major impression on her.^[384] As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Wolfgang Amadeus Mozart and Frédéric Chopin because she liked their "feminine quality".^[385] Madonna's major influences include Debbie Harry, Chrissie Hynde, Patti Smith, Karen Carpenter, the Supremes, Joni Mitchell, Aretha Franklin and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev.^[b] She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.^[392] Another inspiration is American writer James Baldwin, whose quote "artists are here to disturb the peace" is frequently used by Madonna.^[393][394]

During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny, and they were silly and sweet and they were girls and they were feminine and sexy. I just saw myself in them, my funniness and my need to boss people around and at the same time be taken care of. My girlishness. My knowingness and my innocence. Both."^[384] Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol.^[111][396]

Influences also came to her from the art world, such as through the works of Mexican artist Frida Kahlo.^[397] The music video of the song "Bedtime Story" featured images inspired by the paintings of Kahlo and Remedios Varo.^[398] Madonna is also a collector of Tamara de Lempicka's Art Deco paintings and has included them in her music videos and tours.^[399] Her video for "Hollywood" (2003) was an homage to the work of photographer Guy Bourdin; Bourdin's son subsequently filed a lawsuit for unauthorized use of his father's work.^[400] Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".^[401]

Madonna's Catholic background has been reflected throughout her career, from her fashion use of rosary to her musical outputs, including on Like a Prayer (1989).^[402][403] Her album MDNA (2012) has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an Opus Dei center, a Catholic institution that encourages spirituality through everyday life.^[404] In a 2016 interview, she commented: "I always feel some kind of inexplicable connection with Catholicism. It kind of shows up in all of my work, as you may have noticed."^[405] Her study of the Kabbalah was also observed in Madonna's music, especially albums like Ray of Light and Music.^[406] Speaking of religion in a 2019 interview with Harry Smith of Today Madonna stated, "The God that I believe in, created the world ... He/Her/They [sic] isn't a God to fear, it's a God to give thanks to." In an appearance on Andrew Denton's Interview she added, "The idea that in any church you go, you see a man on a cross and everyone genuflects and prays to him ... in a way it's paganism/idolatry because people are worshipping a thing."^[407][408]

Madonna's music has been the subject of much analysis and scrutiny. Robert M. Grant, author of Contemporary Strategy Analysis (2005), commented that Madonna's musical career has been a continuous experimentation with new musical ideas and new images and a constant quest for new heights of fame and acclaim.^[410] Thomas Harrison in the book Pop Goes the Decade: The Eighties deemed Madonna "an artist who pushed the boundaries" of what a female singer could do, both visually and lyrically.^[411] Professor Santiago Fouz-Hernández asserted, "While not gifted with an especially powerful or wide-ranging voice, Madonna has worked to expand her artistic palette to encompass diverse musical, textual and visual styles and various vocal guises, all with the intention of presenting herself as a mature musician."^[412]

Madonna has remained in charge in every aspect of her career, including as a writer and producer in most of her own music.^[413][414] Her desire for control had already been seen during the making of her debut album, where she fought Reggie Lucas over his production output. However, it was not until her third album that Warner allowed Madonna to produce her own album.^[415] Stan Hawkins, author of Settling the Pop Score explained, "it is as musician and producer that Madonna is one of the few female artists to have broken into the male domain of the recording studio. Undoubtedly, Madonna is fully aware that women have been excluded from the musical workplace on most levels, and has set out to change this."^[416] Producer Stuart Price stated: "You don't produce Madonna, you collaborate with her... She has her vision and knows how to get it."^[417] Despite being labeled a "control freak", Madonna has said that she valued input from her collaborators.^[418] She further explained:

I like to have control over most of the things in my career but I'm not a tyrant. I don't have to have it on my album that it's written, arranged, produced, directed, and stars Madonna. To me, to have total control means you can lose objectivity. What I like is to be surrounded by really talented, intelligent people that you can trust. And ask them for their advice and get their input.^[419]

Madonna's early songwriting skill was developed during her time with the Breakfast Club in 1979.^[420] She subsequently became the sole writer of five songs on her debut album, including "Lucky Star" which she composed on synthesizer.^[421] As a songwriter, Madonna has registered more than 300 tracks to American Society of Composers, Authors and Publishers (ASCAP), including 18 songs written entirely by herself.^[422] Rolling Stone has named her "an exemplary songwriter with a gift for hooks and indelible lyrics."^[423] Despite having worked with producers across many genres, the magazine noted that Madonna's compositions have been "consistently stamped with her own sensibility and inflected with autobiographical detail."^[424] Patrick Leonard, who co-wrote many of her hit songs, called Madonna "a helluva songwriter", explaining: "Her sensibility about melodic line—from the beginning of the verse to the end of the verse and how the verse and the chorus influence each other—is very deep. Many times she's singing notes that no one would've thought of but her."^[425] Barry Walters from Spin credited her songwriting as the reason of her musical consistency.^[426] Madonna has been nominated for being inducted into the Songwriters Hall of Fame three times.^[427] In 2015, Rolling Stone ranked Madonna at number 56 on the "100 Greatest Songwriters of All Time" list.^[424]

"Live to Tell" (1986)

Madonna wrote all the lyrics and partial melodies of "Live to Tell", an adult contemporary ballad, which was noted as her first musical reinvention.^[428]

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"Ray of Light" (1998)

An uptempo electronic dance song, "Ray of Light" showcases Madonna's post-Evita upper vocal register.^[429]

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Madonna's discography is generally categorized as pop, electronica, and dance.^[430][431] Nevertheless, Madonna's first foray into the music industry was dabbling in rock music with Breakfast Club and Emmy.^[432] As the frontwoman of Emmy, Madonna recorded about 12–14 songs that resemble the punk rock of that period.^[420] Madonna soon abandoned playing rock songs by the time she signed to Gotham Records, which eventually dropped her since they were unhappy with her new funk direction.^[433] According to Erlewine, Madonna began her career as a disco diva, in an era that did not have any such divas to speak of. In the beginning of the 1980s, disco was an anathema to the mainstream pop, and Madonna had a huge role in popularizing dance music as mainstream music.^[434] Arie Kaplan in the book American Pop: Hit Makers, Superstars, and Dance Revolutionaries referred to Madonna as "a pioneer" of dance-pop.^[435] According to Fouz-Hernández, "Madonna's frequent use of dance idioms and subsequent association with gay or sexually liberated audiences, is seen as somehow inferior to 'real' rock and roll. But Madonna's music refuses to be defined by narrow boundaries of gender, sexuality or anything else."^[412]

The "cold and emotional" ballad "Live to Tell", as well as its parent album True Blue (1986), is noted as Madonna's first musical reinvention.^[428] PopMatters writer Peter Piatkowski described it as a "very deliberate effort to present Madonna as a mature and serious artist."^[436] She continued producing ballads in between her upbeat material, although albums such as Madonna (1983) and Confessions on a Dance Floor (2005) consist of entirely dance tracks.^[437][438] With Ray of Light (1998), critics acknowledged Madonna for bringing electronica from its underground status into massive popularity in mainstream music scene.^[439] Her other sonically drastic ventures include the 1930s big-band jazz on I'm Breathless (1990);^[440] lush R&B on Bedtime Stories (1994);^[441] operatic show tunes on Evita (1996);^[442] guitar-driven folk music on American Life (2003);^[443] as well as multilingual world music on Madame X (2019).^[444]

Possessing a mezzo-soprano vocal range,^[446][447] Madonna has always been self-conscious about her voice.^[448] Mark Bego, author of Madonna: Blonde Ambition, called her "the perfect vocalist for lighter-than-air songs", despite not being a "heavyweight talent".^[449] According to Tony Sclafani from MSNBC, "Madonna's vocals are the key to her rock roots. Pop vocalists usually sing songs 'straight', but Madonna employs subtext, irony, aggression and all sorts of vocal idiosyncrasies in the ways John Lennon and Bob Dylan did."^[432] Madonna used a bright, girlish vocal timbre in her early albums which became passé in her later works. The change was deliberate since she was constantly reminded of how the critics had once labeled her as "Minnie Mouse on helium".^[448] During the filming of Evita (1996), Madonna had to take vocal lessons, which increased her range further. Of this experience she commented, "I studied with a vocal coach for Evita and I realized there was a whole piece of my voice I wasn't using. Before, I just believed I had a really limited range and was going to make the most of it."^[429]

Besides singing, Madonna has the ability to play several musical instruments. Piano was the first instrument taught to her as a child.^[450] In the late 1970s, she learned to play drum and guitar from her then-boyfriend Dan Gilroy, before joining the Breakfast Club lineup as the drummer.^[451] She later played guitar with the band Emmy as well as on her own demo recordings.^[452] After her career breakthrough, Madonna was absent performing with guitar for years, but she is credited for playing cowbell on Madonna (1983) and synthesizer on Like a Prayer (1989).^[414] In 1999, Madonna had studied for three months to play the violin for the role as a violin teacher in the film Music of the Heart, but she eventually left the project before filming began.^[453] Madonna decided to perform with guitar again during the promotion of Music (2000) and recruited guitarist Monte Pittman to help improve her skill.^[454] Since then, Madonna has played guitar on every tour, as well as her studio albums.^[414] She received a nomination for Les Paul Horizon Award at the 2002 Orville H. Gibson Guitar Awards.^[455]

In The Madonna Companion, biographers Allen Metz and Carol Benson noted that Madonna had used MTV and music videos to establish her popularity and enhance her recorded work more than any other recent pop artist.^[456] According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is the video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory."^[457] The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves.^[456] Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."^[458] In 2003, MTV named her "The Greatest Music Video Star Ever" and said that "Madonna's innovation, creativity, and contribution to the music video art form is what won her the award."^[459][460] In 2020, Billboard ranked her atop the 100 Greatest Music Video Artists of All Time.^[461]

Madonna's live performances vary from choreographed routines such as voguing (above) to stripped-down ones with only a ukulele (below).

Madonna's initial music videos reflected her American and Hispanic mixed street style combined with a flamboyant glamour.^[456] She was able to transmit her avant-garde Downtown Manhattan fashion sense to the American audience.^[462] The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era.^[463] Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences."^[464] Madonna's Spanish look in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita".^[465][466] Academics noted that with her videos, Madonna was subtly reversing the usual role of male as the dominant sex.^[467] This symbolism and imagery was probably the most prevalent in the music video for "Like a Prayer". The video included scenes of an African-American church choir, Madonna being attracted to a black saint statue, and singing in front of burning crosses.^[468]

Madonna's acting performances in films have frequently received poor reviews from film critics. Stephanie Zacharek stated in Time that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt."^[469] After the critically panned box-office bomb Swept Away (2002), Madonna vowed never to act again in a film.^[470] While reviewing her career retrospective titled Body of Work (2016) at New York's Metrograph hall, The Guardian's Nigel M. Smith wrote that Madonna's film career suffered mostly due to lack of proper material supplied to her, and she otherwise "could steal a scene for all the right reasons".^[471]

Metz noted that Madonna represents a paradox as she is often perceived as living her whole life as a performance. While her big-screen performances are panned, her live performances are critical successes.^[472] Madonna was the first artist to have her concert tours as reenactments of her music videos. Author Elin Diamond explained that reciprocally, the fact that images from Madonna's videos can be recreated in a live setting enhances the original videos' realism. She believed that "her live performances have become the means by which mediatized representations are naturalized".^[473] Taraborrelli said that encompassing multimedia, latest technology and sound systems, Madonna's concerts and live performances are "extravagant show piece[s], [and] walking art show[s]".^[474]

Chris Nelson from The New York Times commented that "artists like Madonna and Janet Jackson set new standards for showmanship, with concerts that included not only elaborate costumes and precision-timed pyrotechnics but also highly athletic dancing. These effects came at the expense of live singing."^[475] Thor Christensen of The Dallas Morning News commented that while Madonna earned a reputation for lip-syncing during her 1990 Blond Ambition World Tour, she has subsequently reorganized her performances by "stay[ing] mostly still during her toughest singing parts and [leaves] the dance routines to her backup troupe ... [r]ather than try to croon and dance up a storm at the same time."^[476] To allow for greater movement while dancing and singing, Madonna was one of the earliest adopters of hands-free radio-frequency headset microphones, with the headset fastened over the ears or the top of the head, and the microphone capsule on a boom arm that extended to the mouth. Because of her prominent usage, the microphone design came to be known as the "Madonna mic".^[477][478]

Madonna has built a legacy that transcends music and has been studied by sociologists, historians, and other scholars, contributing to the rise of Madonna studies, a subfield of American cultural studies.^{[480][481][482]} According to Rodrigo Fresán, "saying that Madonna is just a pop star is as inappropriate as saying that Coca-Cola is just a soda. Madonna is one of the classic symbols of Made in USA."^[483] Rolling Stone Spain wrote, "She became the first master of viral pop in history, years before the internet was massively used. Madonna was everywhere; in the almighty music television channels, 'radio formulas', magazine covers and even in bookstores. A pop dialectic, never seen since the Beatles's reign, which allowed her to keep on the edge of trend and commerciality."^[484] William Langley from The Daily Telegraph felt that "Madonna has changed the world's social history, has done more things as more different people than anyone else is ever likely to."^[485] Professor Diane Pecknold noted that "nearly any poll of the biggest, greatest, or best in popular culture includes [Madonna's] name".^[482] In 2012, VH1 ranked Madonna as the greatest woman in music.^[486]

Spin writer Bianca Gracie stated that "the 'Queen of Pop' isn't enough to describe Madonna—she is Pop. [She] formulated the blueprint of what a pop star should be."^[487] Madonna became the first act to be crowned the Greatest Pop Star twice by Billboard (1985 and 1989).^[488] According to Sclafani, "It's worth noting that before Madonna, most music mega-stars were guy rockers; after her, almost all would be female singers ... When the Beatles hit America, they changed the paradigm of performer from solo act to band. Madonna changed it back—with an emphasis on the female."^[489] Howard Kramer, curatorial director of the Rock and Roll Hall of Fame, asserted that "Madonna and the career she carved out for herself made possible virtually every other female pop singer to follow ... She certainly raised the standards of all of them ... She redefined what the parameters were for female performers."^[490] Andy Bennett and Steve Waksman, authors of The SAGE Handbook of Popular Music (2014), noted that "almost all female pop stars of recent years—Britney Spears, Beyoncé, Rihanna, Katy Perry, Lady Gaga, and others—acknowledge the important influence of Madonna on their own careers."^[430] Madonna has also influenced male artists, inspiring rock frontmen Liam Gallagher of Oasis and Chester Bennington of Linkin Park to become musicians.^[491][492]

Madonna's use of sexual imagery has benefited her career and catalyzed public discourse on sexuality and feminism.^[493] The Times wrote that she had "started a revolution amongst women in music ... Her attitudes and opinions on sex, nudity, style, and sexuality forced the public to sit up and take notice."^[494] Professor John Fiske noted that the sense of empowerment that Madonna offers is inextricably connected with the pleasure of exerting some control over the meanings of self, of sexuality, and of one's social relations.^[495] In Doing Gender in Media, Art and Culture (2009), the authors noted that Madonna, as a female celebrity, performer, and pop icon, can unsettle standing feminist reflections and debates.^[496] According to lesbian feminist Sheila Jeffreys, Madonna represents woman's occupancy of what Monique Wittig calls the category of sex, as powerful, and appears to gleefully embrace the performance of the sexual corvée allotted to women.^[497] Professor Sut Jhally has referred to her as "an almost sacred feminist icon".^[498]

Writing for The Guardian, Matt Cain stated that Madonna has "broke[n] down social barriers" and brought marginalized groups to the forefront, by frequently featuring LGBT, Latino, and black culture in her works.^[499] An author said that "by making culture generally available, Madonna becomes the culture of all social classes".^[500] Canadian professor Karlene Faith gave her point of view saying that Madonna's peculiarity is that "she has cruised so freely through so many cultural terrains" and she "has been a 'cult figure' within self-propelling subcultures just as she became a major."^[501] GLAAD president Sarah Kate Ellis stated that Madonna "always has and always will be the LGBTQ community's greatest ally",^[502] while The Advocate dubbed her as "the greatest gay icon".^[503] Madonna herself stated in 2024, "Aside from my birthday, New York Pride is the most important day of the year."^[504]

Madonna has received acclaim as a role model for businesswomen, "achieving the kind of financial control that women had long fought for within the industry", and generating over $1.2 billion in sales within the first decade of her career.^[505] According to Gini Gorlinski in the book The 100 Most Influential Musicians of All Time (2010), Madonna's levels of power and control were "unprecedented" for a woman in the entertainment industry.^[506] London Business School academics called her a "dynamic entrepreneur" worth copying; they identified her vision of success, her understanding of the music industry, her ability to recognize her own performance limits (and thus bring in help), her willingness to work hard and her ability to adapt as the keys to her commercial success.^[507] Morton wrote that "Madonna is opportunistic, manipulative, and ruthless—somebody who won't stop until she gets what she wants—and that's something you can get at the expense of maybe losing your close ones. But that hardly mattered to her."^[508]

Forbes estimated Madonna's net worth at $850 million as of 2025,^[510] making her one of the wealthiest musicians in the world. She became Forbes's annual highest-paid female musician 11 times across the 1980s,^[511] 1990s,^[512] 2000s,^[513] and 2010s.^[288] She is recognized as the best-selling female music artist of all time by the Guinness World Records,^[c] and has a total of 18 albums certified multi-platinum in multiple countries.^[d] According to the Recording Industry Association of America (RIAA), she is the best-selling female rock artist of the 20th century and the third highest-certified female artist in the United States, with 65.5 million certified album-equivalent units.^[528][529] In Japan, the world's second largest market, Madonna has received 17 Gold Disc Awards from the Recording Industry Association of Japan (RIAJ), including the most Artist of the Year wins by a solo artist (five).^[530][531]

Madonna had generated over US$1.6 billion from ticket sales of her concert tours throughout her career,^[532] she was the highest-grossing female touring artist,^[533] before being overtaken by Taylor Swift in 2023, according to Pollstar. Her biggest solo concerts by paying attendance include her Who's That Girl World Tour's concert in Parc de Sceaux, Paris (130,000 audience) and the Girlie Show's concert in Maracanã Stadium, Rio de Janeiro (120,000 audience).^[534][535] The closing performance of the Celebration Tour, in Copacabana, Rio de Janeiro, on May 5, 2024, drew over 1.6 million people, setting a record for the largest audience for a stand-alone concert by any artist at the time.^[363] She has also won seven Grammy Awards and twenty MTV Video Music Awards, including the 1986 Video Vanguard Award for which she became the first female recipient.^[536][537]

From "Like a Virgin" (1984) to "Give Me All Your Luvin'" (2012), a total of 44 Madonna singles have topped the official chart in at least one of the world's top-ten music markets, including the United States (12),^[538] the United Kingdom (13),^[539] Canada (24),^[e] Australia (11),^[542] Italy (23),^[543][544] and Spain (21).^[545][546] At the 40th anniversary of the GfK Media Control Charts, Madonna was ranked as the most successful singles artist in German chart history.^[547] According to Billboard, Madonna is the most successful solo artist in the Billboard Hot 100 chart history (second overall behind the Beatles) and the most successful dance club artist of all time.^[548][549] The magazine ranked her at number 36 on its 2025 "Top 100 Women Artists of the 21st Century" list.^[550] She has achieved 38 top-ten singles on the Billboard Hot 100, the most by any artist in pre-streaming era.^[551] A dominant physical singles seller, she has the most number ones on the Hot 100 Singles Sales (16) and the Dance Singles Sales (33) of any artist.^[552][553] With a total of 50 Dance Club Songs chart-toppers, Madonna became the artist with the most number ones on any singular Billboard chart, pulling ahead of George Strait with 44 number-one songs on the Hot Country Songs chart.^[324]

Films starred

Films directed

• Filth and Wisdom (2008)
• W.E. (2011)
• secretprojectrevolution (2013)

• Maverick (1992–2004)
• Ray of Light Foundation (1998)
• Raising Malawi (2006)
• Hard Candy Fitness (2010–2019)
• Truth or Dare by Madonna (2011–2018)